48 pages • 1 hour read
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Content Warning: This section of the guide includes discussion of death and child death.
Cassidy feels like she’s being watched as she leaves the Catacombs. The group discusses their next filming location, the Jardin du Luxembourg, or Luxembourg Gardens, while they eat lunch at a sidewalk café. Cassidy feels a strange rush of cold, and then an awning breaks loose and swings wildly toward her. A hook on the awning’s corner breaks the water pitcher in front of her. Hearing about the incident, Lara tells her that some in-betweeners have an intuitive spectral sense, which gets stronger as they spend more time in the Veil.
At the Jardin du Luxembourg, Mrs. Blake shares local lore about a musician attending an elegant party and then learning that ghosts had hosted and attended it. Another story features a marriage proposal at the top of the Eiffel Tower, which ended with the girl falling to her death. Cassidy notices that Pauline rubs a talisman on her necklace whenever the subject of ghosts comes up. Pauline says that the talisman is an old symbol meant to ward off evil and then laughs it off as a mere bit of superstition. From the top of the Eiffel Tower, Cassidy’s splendid view of the city makes her forget about ghosts and the Veil, if only for the moment.
Back at the hotel that evening, Cassidy is blamed for leaving the door open and letting the cat get out, but she’s confident that she shut the door. She and Jacob are searching for Grim in the hotel’s dining room, which is currently empty and dark, when they encounter ghost activity. A tablecloth is pulled off a table, and all the dishes on it crash to the floor. Then, Cassidy sees a shadow much larger than a cat. Jacob finds Grim before anything else happens, and though the cat hisses uncharacteristically at Cassidy, they bring him upstairs without further incident.
Cassidy relays what’s been happening on a video call to Lara, who suspects that Cassidy has attracted a poltergeist. She explains that poltergeists are spirits that are drawn to spectral energy, a dangerous kind of ghost that feeds on chaos and is no longer contained by a Veil. They engage in small acts of mischief at first but eventually turn to “menace and then mayhem” and have no qualms about violence or even killing (63). Lara tells Cassidy that she needs to find this poltergeist and send it on fast. Cassidy decides that that’s her mission for the next day. By the time she goes to bed, Jacob has left for the night. She doesn’t know where he goes at night but doesn’t want to pry.
Cassidy wakes up in the middle of the night and hears the door of their hotel room opening. She sees the poltergeist’s red glow and follows it into the hall. When she realizes that she left her mirror pendant in the room, she turns back for it, but the poltergeist shuts the door too quickly, locking her out. Cassidy hears Jacob’s voice calling from the hotel lobby. When she gets there, something terrible is happening to him. He’s creating a storm of energy and chaos that swirls around him. Lara is there too, shouting that she warned Cassidy this would happen. She urges Cassidy to send Jacob on, but Cassidy refuses, insisting that she can save him. Then, she wakes up and realizes that she’s been having a nightmare. Cassidy is jumpy all morning. She accompanies her parents and their crew to an enormous cemetery called Père Lachaise, where she and Jacob sneak off to enter the Veil and look for the poltergeist.
The in-between is relatively quiet at Père Lachaise. Cassidy explains that cemeteries usually aren’t very haunted because restless spirits are tied to the place where they died, not where they’re buried. Soon enough, however, she hears a child’s voice speaking French in a singsong kind of chant: “Un…deux…trois…” (72). Cassidy can’t find the source of the voice and realizes that the poltergeist is elusive, only ever allowing her to catch glimpses and shadows. She decides that she’ll have to lure it to her by creating an opportunity for it to create mischief. She climbs a crypt, and when she’s standing on the roof, the poltergeist shows itself. It’s a young boy; he appears to be about six or seven years old and has red, glowing eyes. He moves inhumanly fast; suddenly, he’s right in front of Cassidy. She shows him the mirror and recites the spell, but it does not affect him. He pushes Cassidy off the roof.
Part 2 goes further in developing Jacob’s character and the conflict he creates for Cassidy. Part 1 portrayed Jacob as cautious, bordering on a timid, loyal friend who overcomes his fears to protect Cassidy from harm. The author develops Jacob’s character with subtlety, relying on subtext and the reader’s interpretation of his actions. One such trait is his humor; it’s dry and often unintentional, but it serves as a form of comedic relief to break up tension and balance the story’s horror elements. For example, when Cassidy asks him what he means by suggesting that Mercury is in retrograde, his response alludes to the phrase’s trendiness: “I have no idea, […] but I’ve heard people say it when things go wrong” (54). His observation is also ironic since he’s attributing paranormal activity to something uncanny yet wholly unrelated to what the disturbances, Cassidy’s ability, and his existence center around.
Lara’s attitude toward Jacob in Part 1 introduced the idea that Jacob’s existence is problematic for Cassidy and further developed the theme of Fulfilling One’s True Purpose While Navigating Difficult Choices. Her nightmare in Part 2 solidifies this as a significant conflict. Cassidy has embraced sending ghosts on as her purpose. The feeling of happiness that follows reinforces her sense that she’s doing something important and meaningful. Yet there’s a contradiction in her sense of purpose and her choice to keep Jacob in her life. For someone who always felt like an outsider growing up, a friend like Jacob is not something that Cassidy is eager to lose. She convinces herself that she can keep him from becoming a source of chaos and imbalance, but her subconscious fears what may happen to him and because of him. She’s still figuring out what her ethical obligations are in the context of her new ability as she navigates fulfilling her purpose.
The novel’s central conflict is between Cassidy and the poltergeist. He erases any doubt that he’s an antagonist when he pushes her off the roof of the crypt at the end of Part 2. Added to the risks that Cassidy already faces in the Veil—other ghosts, her body breaking down if she stays too long, and the possibility of getting trapped there—the threat from the poltergeist makes Cassidy’s work quite dangerous. The allusion to her recurring nightmare of being buried alive indicates a deep fear connected to being underground. This makes settings like the Catacombs pose an additional challenge for Cassidy. As these conflicts and dangers escalate, Cassidy’s choices further develop the theme of Overcoming Fear and Embodying Bravery to Address Challenges. Recurring descriptions of nightmares, like the one about being buried alive and the one about Jacob in the hotel lobby, form a motif that develops this theme by triggering Cassidy’s fears and pushing her to confront them.
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